DAFx-14
/ Proceedings 17th International conference
Proceedings of the 17th International Conference
Sep 1 — 5, 2014
The DAFx annual conference is a coming together of those working across the
globe in research relating to digital audio processing for music and speech,
sound art, acoustics and related applications.
DAFx-14 is jointly organized by the Fraunhofer Institut Integrated Circuits (IIS),
the Chair of Multimedia Communications and Signal Processing of
Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU),
and the International Audio Laboratories Erlangen (AudioLabs).
The DAFx-14 Conference Committee
Foreword
Sound Processing Brian Hamilton and Alberto Torin Finite Difference Schemes on Hexagonal Grids for Thin Linear Plates with Finite Volume Boundaries John Drake, Maxim Likhachev and Alla Safonova Prioritized Computation for Numerical Sound Propagation Ryoho Kobayashi Sinusoidal Synthesis Method using a Force-based Algorithmm Matthew Roddy and Jacqueline Walker A Method of Morphing Spectral Envelopes of the Singing Voice for Use with Backing Vocals Hyung-Suk Kim and Julius O. Smith Short-Time Time-Reversal on Audio Signals Marcel Hilsamer and Stephan Herzog A Statistical Approach to Automated Offline Dynamic Processing in the Audio Mastering Process Brian Hamilton, Stefan Bilbao and Craig J. Webb Revisiting Implicit Finite Difference Schemes for Three-Dimensional Room Acoustics Simulations on GPU Darragh Pigott and Jacqueline Walker A Preliminary Model for the Synthesis of Source Spaciousness Stephan Herzog and Marcel Hilsamer Low Frequency Group Delay Equalization of Vented Boxes using Digital Correction Filters Vesa Norilo Exploring the Vectored Time Variant Comb Filter Aaron Wishnick Time-Varying Filters for Musical Applications Filters and Effects Rémi Mignot and Vesa Välimäki Perceptual Linear Filters: Low-Order ARMA Approximation for Sound Synthesis Gianpaolo Evangelista Approximations for Online Computation of Redressed Frequency Warped Vocoders Thibaut Carpentier, Markus Noisternig and Olivier Warusfel Hybrid Reverberation Processor with Perceptual Control Joseph Timoney, Victor Lazzarini, Jari Kleimola and Vesa Välimäki Examining the Oscillator Waveform Animation Effect Sound Synthesis Ryan Stables, Satoshi Endo and Alan Wing Multi-Player Microtiming Humanisation using a Multivariate Markov Model Victor Lazzarini, John ffitch, Joseph Timoney and Russell Bradford Streaming Spectral Processing with Consumer-Level Graphics Processing Units Sean O'Leary and Axel Röbel A Two Level Montage Approach to Sound Texture Synthesis with Treatment of Unique Events Tomohiko Nakamura and Hirokazu Kameoka Fast Signal Reconstruction from Magnitude Spectrogram of Continuous Wavelet Transform Based on Spectrogram Consistency Physical Modeling and Virtual Analog Stefan Bilbao and Alberto Torin Numerical Simulation of String/Barrier Collisions: The Fretboard Alberto Torin, Brian Hamilton and Stefan Bilbao An Energy Conserving Finite Difference Scheme for the Simulation of Collisions in Snare Drums Felix Eichas, Marco Fink, Martin Holters and Udo Zölzer Physical Modeling of the MXR Phase 90 Guitar Effect Pedal Kurt James Werner, Jonathan S. Abel and Julius O. Smith A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit Music Analysis and Retrieval Ugo Marchand and Geoffroy Peeters The Modulation Scale Spectrum and its Application to Rhythm-Content Description Reinhard Sonnleitner and Gerhard Widmer Quad-Based Audio Fingerprinting Robust to Time and Frequency Scaling Jakob Abeßer, Martin Pfleiderer, Klaus Frieler and Wolf-Georg Zaddach Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz Solos Christian Dittmar and Daniel Gärtner Real-Time Transcription and Separation of Drum Recordings Based on NMF Decompositon Music Analysis and Effects Alessio Degani, Riccardo Leonardi, Pierangelo Migliorati and Geoffroy Peeters A Pitch Salience Function Derived from Harmonic Frequency Deviations for Polyphonic Music Analysis Tian Cheng, Simon Dixon and Matthias Mauch A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction Bertrand Scherrer and Philippe Depalle Onset Time Estimation for the Analysis of Percussive Sounds using Exponentially Damped Sinusoids Christian Kehling, Jakob Abeßer, Christian Dittmar and Gerald Schuller Automatic Tablature Transcription of Electric Guitar Recordings by Estimation of Score- and Instrument-Related Parameters Anna Kruspe Improving Singing Language Identification through i -Vector Extraction Fabian-Robert Stöter, Stefan Bayer and Bernd Edler Unison Source Separation Olivier Derrien A Very Low Latency Pitch Tracker for Audio to MIDI Conversion Jonathan Driedger and Meinard Müller TSM Toolbox: MATLAB Implementations of Time-Scale Modification Algorithms Sebastian Merchel and Ludwig Kormann FreeDSP: A Low-Budget Open-Source Audio-DSP Module Math Verstraelen, Jan Kuper and Gerard J.M. Smit Declaratively Programmable Ultra Low-Latency Audio Effects Processing on FPGA Multipitch Analysis and Source Separation Sebastian Kraft and Udo Zölzer Polyphonic Pitch Detection by Iterative Analysis of the Autocorrelation Function Helene Papadopoulos and Daniel P.W. Ellis Music-Content-Adaptive Robust Principal Component Analysis for a Semantically Consistent Separation of Foreground and Background in Music Audio Signals Dimitri Zantalis and Jeremy Wells Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit Perception and Spatial Audio Brian Hamilton Finite Volume Perspectives on Finite Difference Schemes and Boundary Formulations for Wave Simulation Pedro D. Pestana and Joshua D. Reiss A Cross-Adaptive Dynamic Spectral Panning Technique Marco Fink and Udo Zölzer Low-Delay Error Concealment with Low Computational Overhead for Audio over IP Applications Alex Wilson and Bruno Fazenda Categorisation of Distortion Profiles in Relation to Audio Quality
The complete proceedings are available as a pdf download .
Alternatively, printed hardcopies may be ordered from: info@audiolabs-erlangen.de
Alle Rechte vorbehalten - All rights reserved.
